Panoramic Ireland's Dublin Photo Tours don't stop during the winter, we enjoy photographing all year round in Dublin and throughout Ireland.

Just have a look through the Blog section for more.

Here from one of our photography workshops in Dublin this week, the colours of the Convention Centre set to those of the Irish Tricolour - Green, White and Orange.

And of course, this time of year is a good point to think about buying a voucher for friends and family to use throughout the year.

There can be no doubt that the best times of day to photograph are around sunrise and sunset with the combination of colours and gentle light.

But if I had to choose one of these, it would be sunrise.

The day is just getting started and there is a sense of privilege to be had when standing in the countryside or by the coast welcoming the warmth of the morning sun. Birds are chirping and chattering, calling to each other and on most occasions there are so few people around it's a solitary pleasure to view and photograph.

Even in the city sunrise can be a good choice.

It does obviously depend on what you want to photograph and its location, whether sunrise or sunset works better but sunrise is definitely my preference.

Of course, some locations really do suit only one or the other, Ireland's famed Cliffs of Moher one.

And it doesn't always follow that east is for sunrise and west is for sunset. Direct light from the sun is not always required for a colourful sunrise photograph.

Sunrise photography does involve getting up and getting out early, or sometimes in summer, staying out during the night for the early light in Ireland's northerly latitudes but it's always worth it.

Join Panoramic Ireland to photograph in the Irish countryside at sunrise.

Bright golden autumn colour on one of Ireland's many back roads.

While some Irish thoroughfares get all the attention, The Dark Hedges and Grafton Street being two prime examples, the country is accessible from a dense network of small back roads that, in many places, are incredibly scenic.

Just colour here beside a small river, enough to make you want to stop and just take it all in for the few weeks of autumn every year.

The season is changing now and after lots of windy but warm weather recently most of the leaves are off the trees. The bare season of winter is nearly here.

Polarising filters are probably the most important filters in photography. 

To understand when to use polarisers, it is important to understand reflectance.

Simply put, reflectance is defined as a "measure of the ability of a surface to reflect light or other electromagnetic radiation". 

While the polariser hasn't changed the amount of light leaving the surface of the an object, in this case bracken on the hillside, it has remained the same - but the polariser has prevented some of that light from reaching the lens and sensor.

In this case, the striking green landscape of Ireland's Wicklow Mountains, we can easily see the difference between the polarised and non-polarised image.

Blue hour and golden hour are the ideal times of day for coastal landscape photography.

Here, a small sea stack and vertical cliffs on Ireland's Atlantic coast catch the end of the evening's direct light, the warmth of which lends its name to the time of day - the golden hour as the light half of the year ends in Ireland.

Panoramic Ireland run seascape and landscape photography classes, workshops and tours all year round and right through the winter in Ireland.

To find out more use the contact page or email me.

There's a magic to be had photographing landscapes, a dependence upon the weather and, at the coast, the tide.

Planning for time of day, to catch the golden hour and the tide at the right time of course takes some of the uncertainty away but the Irish weather can provide interesting challenges.

Users of Serif's Affinity Photo software have something big to look forward to in the coming week. 

The company have announced a major update of some kind coming to the line-up.

"...a next-level creative experience..."

Speculation is that it could be a video editing program that would add to the company's current photography, graphic design and desktop publishing offerings.

Or it could be an Adobe Lightroom style addition to Affinity Photo, a program that really has no competition yet.

As I mentioned in a previous post, in Irish tradition the winter has started with the beginning of the dark half of the year after Halloween.

But that doesn't mean that Ireland is not a destination for off season travel, on the contrary, with fewer crowds and some of the best light the months of November through to March are ideal for seascape photography in Ireland.

Here as well as shooting with the sun, we turned to photograph the sea cliffs with the sun setting behind.

It is a difficult photograph to shoot a landscape like this contre-jour but the movement and colour in the sky, coupled with some good post-processing has resulted in a fine image that is in contrast to shooting with the sun and its clear light (image coming soon in a subsequent post).

Making use of the texture and feeling of this deserted Irish beach at sunset.

I will be regularly running seascape photography workshops throughout the winter in Ireland, for more information contact me through the contact page or send me an email (up at the top of the page).

It was high summer. the start of August and after photographing a river woodland I stopped to photograph this scene.

In front of me, on this hot day in the Irish countryside, a long scene of distant heather-clad mountains with green lower slopes and a vast field of golden barley.

A big sky filled with clouds allowed a little blue to show.

At the same time I photographed bees and thistles.

A few weeks later I saw a tweet, of an Irish painter that I had not heard of before, referencing a landscape from County Mayo in Ireland's west. It was Across the Bog, Mayo by Jeremiah Hoad.

And I was struck by the similarities between this fine oil painting of an Irish bogland scene and my own recent image of the barley field with mountains.

Summer, or the light half of the year, ends at Halloween or more accurately, Samhain, in the Irish tradition.

Here, a sunset seascape from the Irish coast as the light half of the year ends, the Celtic new year begins and although this will be the dark half of the year, the light will be fantastic.

While daylength shortens now until the winter solstice on December 21st, what light we do get is often bright, clear and colourful. 

On those rainy, cloudy days where the sun really doesn't make an appearance the light is still great for photography.

Autumn, winter and spring are perfect seasons for photography and with the added bonus of fewer tourists, Ireland in winter should be a photographer's preference.

Join me, Panoramic Ireland, to learn how to photograph and to see Ireland. Tours and workshops available all year round.

If you are travelling through the streets of Galway you may well spot this unusual house with its horseshoe-shaped windows.

The quirky building was owned by horse-mad local man Michael Cunniss who spoke with Ireland's national broadcaster RTE in 1982.

A man before his time, Michael complained to the RTE reporter about the "...smelly old cars going along the road..." and he even kept a horse in the house that could watch TV through a hatch in to the living room.

It is common enough even today to see old forge buildings with horseshoe shaped doorways but nowhere else have I seen windows in this style.

Have you seen this house, or another similar?