The razorbill is a native seabird to Ireland and to Scotland which is where this image is from, over on Mull just up the coast from my home county of Antrim right in the north east corner of Ireland.

Related to the puffin, the razorbill can often be seen nesting and breeding in colonies that include puffins, as well as fulmars along the Atlantic coasts of Ireland and Scotland.

Unlike the puffin, the razorbill is usually only seen as a plain black and white bird, with its distinctive line running from the bill back to its brown-iris eyes as seen in the image above.

But, when it opens its bill there is a flash of bright, almost golden yellow on the bird's palate.

This pair are engaging in mating behaviour but the bright yellow can also be useful for chicks being fed and razorbills often quarrel with each other with bills wide open in what is known as bill-gaping.

Each pair will only have one egg and both male and female feed the chick for approximately three weeks.

At around twenty days old the chicks follow the male into the ocean, leaping from the cliff and are fed by him until old enough to become self-sufficient.

Like fulmars, razorbills can live to forty years or more.

Ireland is not short of fantastic coastlines and of course as an Irish landscape photographer seascapes make up an important part of my collecton.

It should come as no surprise too that for the workshops and tours that I organise throughout Ireland, I recommend the coast often and get asked about the coast.

Here, a scene from a cloudy evening. After finishing up photographing some more well-known scenes from the Irish coast we set our sights on a tranquil scene of a calm Atlantic Ocean.

This image is one of my favourites from the evening's workshop.

Join me, Panoramic Ireland, on a photography workshop to Ireland's sometimes wild and sometimes serene coast all year round.

Bright and characterful sunset sunlight on Ireland's Atlantic Ocean.

This image comes from the western edge of the Emerald Isle as the late evening sunlight fades behind rain-bearing clouds to give dramatic lighting on the ocean's surface.

As we waited for the same sunlight to strike the Cliffs of Moher we turned our cameras toward the west and were not disappointed.