Through the Arch: Dublin's Medieval Heart at Saint Audoen's

Medieval Dublin · The Liberties

Through the Arch: Dublin's Medieval Heart at Saint Audoen's

Stand at the foot of Cook Street and look up. Rising above you is a stretch of grey limestone wall, worn, mossy at the joints, and almost impossibly old. Cut into its centre is a rounded arch, framing a stairway that climbs steeply towards the light.

Step through it and you cross a threshold into medieval Dublin. This is Saint Audoen's Arch, one of the most evocative surviving gateways in Dublin's old city walls.

Saint Audoen's Arch – Quick Info

  • Location: Cook Street, The Liberties, Dublin
  • What it is: A surviving gateway in Dublin's medieval city walls
  • Nearby: Saint Audoen's Church, Christchurch Cathedral, High Street and Cornmarket
  • Best for: Medieval Dublin history, photography, hidden Dublin walks

A City Built in Stone

The story of this wall begins with Dublin's early defences. The area around Cook Street and High Street formed part of the old walled city, where stone walls, gates and towers once controlled access into medieval Dublin.

Saint Audoen's Arch formed part of this defensive and commercial boundary. Like other medieval gates, it marked entry into the city and helped control the movement of people, goods and trade.


The Church Above the Gate

The arch takes its name from Saint Audoen's Church, Dublin's oldest surviving parish church, standing above it on the ridge. The church was dedicated to Saint Ouen, a seventh-century bishop of Rouen, reflecting the Norman influence on medieval Dublin.

Saint Audoen's became one of the most important churches in the city, closely connected with Dublin's merchant guilds and civic life. Today, the church and arch together form one of the most atmospheric surviving corners of medieval Dublin.


Beyond the Pale

The phrase "beyond the pale" has entered everyday English as a way of describing something outside accepted limits. Its origins lie in the boundaries of English-controlled territory in Ireland, with Dublin's walled city forming one of the strongest expressions of that controlled urban space.

To pass through a gate such as Saint Audoen's was to move between worlds: inside and outside the walls, civic order and open countryside, city and frontier.


What the Arch Shows You

This photograph was taken from beneath the arch itself, looking up the steps towards Saint Audoen's. The geometry of the scene is what makes it so powerful: the rounded stone arch in the foreground, the worn steps rising through the frame, and the church beyond.

This is what photography in Dublin often rewards: patience, position and a willingness to move away from the obvious viewpoint. Saint Audoen's Arch sits close to Christchurch and the main tourist flow, yet many visitors pass nearby without ever seeing it.


Photography Tip: Framing Saint Audoen's Arch

The arch at Saint Audoen's is a natural composition tool — one of the best examples of architectural framing in Dublin.

  • Leading lines: Position yourself low on the steps so they pull the eye upward through the arch towards the church window. The incline does much of the compositional work for you.
  • Natural frame: Let the darker stone of the arch fill the edges of the frame. It creates a built-in vignette, isolating the brighter church façade and greenery beyond.
  • Timing: Morning light works especially well here. The sun can lift detail from the limestone and avoid the flat grey tones that often appear later in the day.
  • Lens choice: A moderate wide-angle lens, around 24–35mm full-frame equivalent, keeps the geometry natural while still capturing the curve of the arch and the rise of the steps.

This is exactly the kind of composition we work through on private Dublin photography tours — learning to see structure, light and framing rather than simply pointing the camera at the subject.


Finding Saint Audoen's Arch

Saint Audoen's Arch is on Cook Street, in The Liberties, a short walk west of Christchurch Cathedral. The steps lead up towards the park beside Saint Audoen's Church and onwards to High Street and Cornmarket, where more traces of Dublin's medieval core survive.

Go early. Go slowly. And go through the arch.

Photographing Hidden Dublin

Panoramic Ireland offers private Dublin photography tours combining local history, strong compositions and quiet locations like Saint Audoen's Arch that many visitors to Dublin miss.

If you want to photograph Dublin beyond the obvious viewpoints, get in touch to plan a private photography experience.


The Doolough Tragedy, 1849

The Great Irish Famine · County Mayo

The Doolough Tragedy, 1849

At the end of March 1849, hundreds of starving men, women, and children made a forced overnight journey through one of the most beautiful and unforgiving valleys in the west of Ireland. Most arrived to nothing. Many did not return.

The Doolough Valley in County Mayo is, by most measures, one of the more striking landscapes in the west of Ireland — a long glacial corridor between steep mountains, with the dark lake from which it takes its name occupying the valley floor. In Irish, Doo Lough means "Black Lake." It's a stunningly beautiful location. By 1849, however, the dark name of this pass had acquired a different kind of weight.

What took place there on the night of 30 March 1849 was not a battle or a massacre in any conventional sense. It was, in the language of the time, an administrative matter, but the consequences were the same.


Background: relief under the Poor Law

By early 1849, the Great Famine — An Gorta Mór — had already claimed an estimated one million lives. A further 1.5 million had emigrated. The cause was not simply the potato blight: successive years of crop failure were compounded by government policies that continued to prioritise landlord interests and resist any significant public relief effort.

For those who remained in the west of Ireland, "outdoor relief" — a direct allocation of food administered through the Poor Law Unions — represented, in many cases, the only means of survival. Qualification was not automatic. It required inspection and approval by the relevant officials.

The destitute of Louisburgh, a small village in south County Mayo, fell under the jurisdiction of the Westport Poor Law Union.


The march to Delphi Lodge

On Friday 30 March 1849, two officials from the Westport Poor Law Union arrived in Louisburgh to carry out inspections and determine which residents would continue to receive relief. Captain Primrose and Colonel Hogrove departed the village without conducting the inspections. They travelled south to Delphi Lodge — a private hunting and fishing retreat in the valley between the mountains, approximately 12 miles (19 kilometres) away, where they intended to spend the night.

The people waiting in Louisburgh were told to present themselves at Delphi Lodge by seven o'clock the following morning, or be removed from the relief register entirely.

They had no food and no shelter against the weather. Many were already in an advanced state of starvation. Some were barefoot. Some wore only the clothing they slept in which was scant and not waterproof or windproof.

An estimated 600 people — described by contemporaries as "living skeletons" — set out through the mountain pass in darkness. The conditions that night were severe like it can often be in March in Ireland: freezing temperatures, rain, and heavy wind. The journey took them along the edge of the valley, past the lake, and through terrain that would have been difficult for a person in good health. Even today to do this as an overnight journey with food, well rested and with appropriate clothing, would be a challenge.


The reception at Delphi Lodge

Those who survived the overnight trek and reached Delphi Lodge found, on arrival, that the officials could not be disturbed. They were eating lunch. When the meeting eventually took place, the people were turned away without assistance and sent back the way they had come.

Bodies were found along the road in the days that followed. A woman named Dalton was discovered dead alongside her children. Two unnamed men who died within a mile of Louisburgh were left exposed — without burial — for several days. Some of the dead were found with grass in their mouths, their lips stained green — eaten in the final desperate stages of starvation. Grass is mostly non-toxic to humans but it is not nutritious and usually causes gastro-intestinal upset such as vomiting and diarrhoea that further leads to weakness and illness.

Distance walked

~12 miles each way

People who set out

Est. 600

Recorded deaths

16–20

Estimated true toll

Up to 400

The gap between the recorded figure and the estimated true toll reflects, in part, the extent to which deaths during the Famine went unregistered — particularly among those with no fixed address and no family left to report them. Local tradition in the area maintains that hundreds perished on this fateful journey.


The official response

The events at Doolough might have gone entirely unrecorded. On 10 April 1849, a letter signed only as "A Ratepayer" was published in the Mayo Constitution. It described what had happened.

The government's response was typical, a cover-up. The local relieving officer, Michael Carroll, was dismissed on the grounds that his record books "were not in order" — cited as the reason no inspection had taken place in Louisburgh. Carroll lost his position. Captain Primrose and Colonel Hogrove retained theirs. The poor and destitute, starving Irish subdued for centuries to a life of subsistence, were seen as a burden and were treated as expendable.


Memory and record

A stone cross stands near the lake today. The valley itself — the road, the pass, the lakeshore — remains largely unchanged. Each year, a commemorative walk retraces the route taken on that March night. The event draws participants from Ireland and beyond, including, on occasion, delegations marking the connection between the Famine and other histories of displacement and hunger.

Memorial to the people who died in Doolough in March 1849 seeking and being denied aid from the authorities.
"How can men feel themselves honoured by the humiliation of their fellow beings?" Inscription on the memorial cross, Doolough Valley

The Doolough Tragedy is not, in the scale of the Famine, exceptional. That is, in some respects, the point. It was one episode among many in which the machinery of administration — inspections, relief registers, residency requirements — produced outcomes that, in other circumstances, would be clearly understood as cruelty. The people who walked to Delphi Lodge were not asking for very much. They were asking to remain on a list. This kind of deliberate misdirection has parallels in the modern world where we hear stories and see images of indigenous, local peoples who are told to move to a location "for their safety" only to be obliterated without warning.


Exploring Green Lanes in the Irish Countryside

I've often written about green lanes here on panoramicireland.com and really love finding new green lanes or green roads in the Irish countryside.

Here are some of my previous posts about these scenic routes:

And this YouTube video featuring a walk along a lush Irish green road:

A Green Road to the Atlantic

Here, a green road that leads straight to the Atlantic and seen here on a stormy afternoon.

Nestled between stone walls and tumble-down fences, waterlogged with rain and Atlantic seaspray, this lane heads towards breaking offshore waves and rolling clouds.

It's quite the scene, a moment I'll remember for some time as the wind battered the front of my 24-70mm lens.

Although it doesn't appear as green as in my other posts about these characterful thoroughfares above, this was definitely a green lane and you can see green amongst the reds, browns and whites. In summer this would look much more lush.

Because these lanes, just ordinary routes - these aren't famine roads or roads that traversed Ireland towards Tara, are rarely used they remain important corridors for wildlife.

To find places like these, to photograph in the hidden places of the Irish countryside, why not join me for a day to capture scenes like these - use the About page to find out more.


The Irish countryside is usually a quiet place where little changes from year to year, but throughout history there have been many tumultuous events.

And one such event came on the morning of the 3rd of July 1921, during Ireland's war of independence from Britain. At 03:30 a group of IRA men, 60 strong, approached the castle, warning the staff and residents—at the time Handcock's wife and daughter—allowing them to remove many valuables before setting fire to the castle. It was burned beyond repair with damage worth millions in today's money.

Moydrum was the home of the Handcock family, Lord Castlemaine, who was Queen Victoria's representative for County Westmeath and a fervent Unionist, working politically against Home Rule which had sought to see the Irish parliament re-opened in Dublin.

As such, Moydrum became a target for destruction, like many of Ireland's Big Houses, those large estates and houses owned by English aristocracy in the Irish countryside.

Moydrum was largely rebuilt in 1812 to designs by Irish architect Richard Morrison, who also designed Powerscourt House in Wicklow, around an earlier structure from 1750.

The castle stands ruined today but saw another round of controversial events in the 1980s. In 1980 Moydrum, in ruins and ivy-clad, appeared in Simon Marsden's book In Ruins: The Once Great Houses of Ireland with a haunting black and white infrared image looking up at the castle; a beautiful image and typical of Marsden's style. Four years later, a very similar image appeared on the cover of U2's The Unforgettable Fire, an image taken in the same style and from almost the same angle featuring, of course, the band members.

The album cover was by Anton Corbijn, and U2 made a payment to Marsden in recognition of the likeness.

Today Moydrum sits much as it did in the 80s when Marsden and U2, with Corbijn, were there: ivy-clad and in ruins. Details of the building are still visible in places, such as the cross loops on the octagonal towers as seen in those images, though now a battered cattle trailer sits blocking the archway into the interior of the structure.

For anyone who knows the album, it contains some of U2's best early tracks and was a turning point in their career. Interestingly by coincidence, the album has a track called 4th of July and Moydrum had indeed by the 4th of July 1921 suffered an unforgettable fire as it lay smouldering in the heat of the Irish summer for a second day. The track was named for Hollie Evans, daughter of U2's guitarist The Edge, who was born on the 4th of July 1983. It was improvised by Adam Clayton and The Edge, and secretly recorded by producer Brian Eno.

It sits on private land and a sign warns of that, so it is impossible to get the same angle of image as seen in the aforementioned works, but not a bad attempt on a limited-time, quick visit to this quiet corner of rural Ireland.

The Unforgettable Fire was recorded at Slane Castle as well as Dublin's Windmill Lane Studios seen here below.

Dublin's Windmill Lane Studios, now demolished, was often covered in graffiti

Join me to photograph the famous as well as hidden places in Ireland, private workshops and tours in cities and counties all over Ireland.


New Wind Warnings for West Coast as Storm Bram Departs

Storm Bram may have passed through Ireland, bringing significant disruption and damage, but new wind warnings are now in effect for Galway, Mayo, and Kerry on Ireland's west coast.

Met Éireann has issued a Status Yellow wind warning for Galway, Mayo, and Kerry, forecasting strong and gusty southerly winds mainly affecting coastal parts.

Potential Impacts

  • Debris and loose objects displaced
  • Some fallen trees and branches
  • Difficult travelling conditions

Valid: 00:00 Thursday 11/12/2025 to 07:00 Thursday 11/12/2025