Ireland is not short of fantastic coastlines and of course as an Irish landscape photographer seascapes make up an important part of my collecton.

It should come as no surprise too that for the workshops and tours that I organise throughout Ireland, I recommend the coast often and get asked about the coast.

Here, a scene from a cloudy evening. After finishing up photographing some more well-known scenes from the Irish coast we set our sights on a tranquil scene of a calm Atlantic Ocean.

This image is one of my favourites from the evening's workshop.

Join me, Panoramic Ireland, on a photography workshop to Ireland's sometimes wild and sometimes serene coast all year round.

Not as famous as the better known stretches of coastal cliffs, this seascape is still a worthy contender for one of Ireland's most scenic.

An empty quarter scenic, with no one to be seen at all, it was relaxing to sit and watch the calm Atlantic until sunset clicking the shutter on our cameras every so often.

Join me, Panoramic Ireland, to photograph Ireland's cliffs and scenic seascapes.

Sidelighting in Ireland's Wicklow Mountains.

The scenic wilderness of the Wicklow mountain landscape is quite unlike anywhere else in Ireland, especially when combined with unusual cloud and weather patterns.

Here, sidelighting from late evening sunshine breaks through high cloud and illuminates the remote valleys.

2023 is a good year to visit Ireland, join Panoramic Ireland to photograph in Wicklow as well as Connemara, Dingle and Antrim's Giant's Causeway.

There can be no doubt that the best times of day to photograph are around sunrise and sunset with the combination of colours and gentle light.

But if I had to choose one of these, it would be sunrise.

The day is just getting started and there is a sense of privilege to be had when standing in the countryside or by the coast welcoming the warmth of the morning sun. Birds are chirping and chattering, calling to each other and on most occasions there are so few people around it's a solitary pleasure to view and photograph.

Even in the city sunrise can be a good choice.

It does obviously depend on what you want to photograph and its location, whether sunrise or sunset works better but sunrise is definitely my preference.

Of course, some locations really do suit only one or the other, Ireland's famed Cliffs of Moher one.

And it doesn't always follow that east is for sunrise and west is for sunset. Direct light from the sun is not always required for a colourful sunrise photograph.

Sunrise photography does involve getting up and getting out early, or sometimes in summer, staying out during the night for the early light in Ireland's northerly latitudes but it's always worth it.

Join Panoramic Ireland to photograph in the Irish countryside at sunrise.

Polarising filters are probably the most important filters in photography. 

To understand when to use polarisers, it is important to understand reflectance.

Simply put, reflectance is defined as a "measure of the ability of a surface to reflect light or other electromagnetic radiation". 

While the polariser hasn't changed the amount of light leaving the surface of the an object, in this case bracken on the hillside, it has remained the same - but the polariser has prevented some of that light from reaching the lens and sensor.

In this case, the striking green landscape of Ireland's Wicklow Mountains, we can easily see the difference between the polarised and non-polarised image.

Blue hour and golden hour are the ideal times of day for coastal landscape photography.

Here, a small sea stack and vertical cliffs on Ireland's Atlantic coast catch the end of the evening's direct light, the warmth of which lends its name to the time of day - the golden hour as the light half of the year ends in Ireland.

Panoramic Ireland run seascape and landscape photography classes, workshops and tours all year round and right through the winter in Ireland.

To find out more use the contact page or email me.

There's a magic to be had photographing landscapes, a dependence upon the weather and, at the coast, the tide.

Planning for time of day, to catch the golden hour and the tide at the right time of course takes some of the uncertainty away but the Irish weather can provide interesting challenges.

It was high summer. the start of August and after photographing a river woodland I stopped to photograph this scene.

In front of me, on this hot day in the Irish countryside, a long scene of distant heather-clad mountains with green lower slopes and a vast field of golden barley.

A big sky filled with clouds allowed a little blue to show.

At the same time I photographed bees and thistles.

A few weeks later I saw a tweet, of an Irish painter that I had not heard of before, referencing a landscape from County Mayo in Ireland's west. It was Across the Bog, Mayo by Jeremiah Hoad.

And I was struck by the similarities between this fine oil painting of an Irish bogland scene and my own recent image of the barley field with mountains.

Summer, or the light half of the year, ends at Halloween or more accurately, Samhain, in the Irish tradition.

Here, a sunset seascape from the Irish coast as the light half of the year ends, the Celtic new year begins and although this will be the dark half of the year, the light will be fantastic.

While daylength shortens now until the winter solstice on December 21st, what light we do get is often bright, clear and colourful. 

On those rainy, cloudy days where the sun really doesn't make an appearance the light is still great for photography.

Autumn, winter and spring are perfect seasons for photography and with the added bonus of fewer tourists, Ireland in winter should be a photographer's preference.

Join me, Panoramic Ireland, to learn how to photograph and to see Ireland. Tours and workshops available all year round.

Autumn is upon us here in Ireland, we have passed the autumn equinox and now the length of daylight is shorter than night.

Last week I was photographing in County Roscommon at the inaugural Night and Day Festival which featured Irish and international artists - more to come on that soon.

This week I have been photographing in some woodlands in the Irish countryside, the weather was a little challenging but the workshop with NS from Virginia, a first time visitor to Ireland, went well as we covered long exposure photography and how to photograph colourful scenes.

Here we left the woodland to photograph along a wide, fast-flowing river to another section of colourful woods on the opposite bank. This is a scene that looks best in the autumn months.

Join me, Panoramic Ireland, to photograph Ireland's rivers, woodlands and countryside in autumn, winter, spring and summer.

I usually do prefer to work with colour images, for more than 99% of the photographs that I make they are in colour.

But every so often I do enjoy a good black and white image such as here in this landscape image of a tumbledown cottage amongst the mountain scenery from the west of Ireland.

Join Panoramic Ireland to photograph scenes like this from the Atlantic fringe of Ireland - photography tours and workshops operate all year round.