Street photography can through up some unusual situations and give rise to interesting photographs.

Here, a visiting bishop arrives, Saint Patrick maybe, with his travel case on the cobbled alleys of Dublin and stops to talk with, or perhaps berate, the street vendors with their sandwich boards advertising Thai massages in Dublin.

Dublin is home to many fine parks, the best known being St. Stephen's Green and Phoenix Park.

But there are many of these fine green spaces in the city, some with more colour than just the lush green grass such as here at Saint Patrick's Cathedral on a sunny day.

Out on Ireland's Atlantic Coast, in one of the most remote places in the country, sits Blacksod Lighthouse.

A new documentary by Ireland's national broadcaster RTE tells the story of Maureen Sweeney, who on her 21st birthday, was taking weather readings at this remote outpost and relaying those through Ballina and Dublin to the Allies in Doncaster where Group Captain Stagg was interpreting the weather charts and information provided by various stations including those from Blacksod and advising General Eisenhower of the best time to launch the D-Day landings in June 1944.

Low visibility is a common problem in Ireland, landscape photography usually requires long, clear uninterrupted views so on this occasion we headed away from the big views and looked instead for scenes that suited the weather.

Here, we stopped on one of Panoramic Ireland's photography workshops in the Irish countryside to photograph sheep under a grey sky but a colourful landscape.

Lush green of late spring in Ireland both in the fields and the hedges, broken by bright orange-yellow flowers of gorse and white flowers of hawthorn.

I've been photographing bluebells for twenty years now, but I only recently realised that I have few posts here on Panoramic Ireland on bluebells.

Here a mixture of architecture and landscape in the Irish countryside as bluebells grow amongst ferns on the woodland floor below the old stone bridge.

No landscape photographer's spring catalogue would be complete without images of bluebells hyacinthoides non-scripta carpeting a woodland floor.

Here on our photography workshop that also dealt with photographing in inclement weather, as we photographed streams and forests so too did we concentrate on the colour in front of us.

While they didn't carpet every square inch of the beech woodland floor, they still looked incredible at the end of May amongst the lush green grass and ferns of the Irish countryside. And that path, encouraging us further into the woods.

Today I headed into the mountains, the day started cold and grey with a lot of driven rain.

Perhaps not the best choice to be high on the mountain tops in Ireland in wet and windy weather so I went instead to a sheltered woodland to photograph streams and flowers - where the bluebells are still in fine colour.

Here I gave full attention to the small stream, cascading through the woodland but with little flow there wasn't a lot to capture that impressed.

Silhouettes often make a useful tool in photography, strong lines breaking the horizon or the shape of a majestic tree outlined against the colour of an evening sky.

Silhouettes serve to show off the sky, the photographer exposing for the highlights rather than the shadows to allow the shapes of the subject to come into its own.

The blue hour and golden hour that both occur every morning and evening are rightly considered by landscape photographers to be the best times of day to capture scenic landscapes.

Lasting for a short time either side of sunrise and sunset the ephemeral light is soft and colourful, sympathetic to the natural landscapes.

As the sun sets on another day, after photographing some of Ireland's fine landscapes and scenes we turned our attention to the setting sun and these trees and buildings silhouetted against the bright blue sky.